List

A devious tale of psychological suspense perfect for fans of Paula Hawkins’ The Girl on the Train—and is soon to be a major movie directed by Agnieszka Holland.

In a tantalizing set-up reminiscent of Patricia Highsmith’s classic Strangers on a Train… On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.

But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .

Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.

Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

REESE’S BOOK CLUB x HELLO SUNSHINE AUGUST 2019 PICK!

THE INSTANT NEW YORK TIMES BESTSELLER

“Once again, Megan Miranda has crafted the perfect summer thriller. The Last House Guest is twisty and tense, with a pace that made my heart race. An edge-of-your-seat, up-all-night read.” —Riley Sager, New York Times bestselling author of The Last Time I Lied

“Dizzying plot twists and multiple surprise endings are this author's stock in trade, but she warms them up by establishing the close friendship between Sadie Loman...and Avery Greer...And, oh boy, does she ever know how to write a twisty-turny ending (or two, or more).” —Marilyn Stasio, The New York Times Book Review

“No one can be trusted in the latest chilling thriller from master of suspense, Megan Miranda. The Last House Guest is a lightning-fast mystery, full of menace and unexpected twists and turns that will have readers on the edge of their seats. A riveting read!” —Mary Kubica, New York Times bestselling author of The Good Girl

Littleport, Maine, has always felt like two separate towns: an ideal vacation enclave for the wealthy, whose summer homes line the coastline; and a simple harbor community for the year-round residents whose livelihoods rely on service to the visitors.

Typically, fierce friendships never develop between a local and a summer girl—but that’s just what happens with visitor Sadie Loman and Littleport resident Avery Greer. Each summer for almost a decade, the girls are inseparable—until Sadie is found dead. While the police rule the death a suicide, Avery can’t help but feel there are those in the community, including a local detective and Sadie’s brother, Parker, who blame her. Someone knows more than they’re saying, and Avery is intent on clearing her name, before the facts get twisted against her.

Another thrilling novel from the bestselling author of All the Missing Girls and The Perfect Stranger, Megan Miranda’s The Last House Guest is a smart, twisty read with a strong female protagonist determined to make her own way in the world.

NEW YORK TIMES BESTSELLER * In the tradition of The Girl on the Train, The Woman in Cabin 10, and Gone Girl comes an enthralling psychological thriller that spins one woman's seemingly good fortune, and another woman's mysterious fate, through a kaleidoscope of duplicity, death, and deception.

SOON TO BE A MAJOR MOTION PICTURE DIRECTED BY RON HOWARD

Please make a list of every possession you consider essential to your life.

The request seems odd, even intrusive--and for the two women who answer, the consequences are devastating.

EMMA
Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant--and it does.

JANE
After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space--and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before.

Praise for The Girl Before

"Dazzling, startling, and above all cunning--a pitch-perfect novel of psychological suspense."--Lee Child

"The Girl Before generates a fast pace. . . . [J. P.] Delaney intersperses ethics questions on stand-alone pages throughout the book. . . . The single most ingenious touch is that we're not provided either woman's answers."--The New York Times

"J. P. Delaney builds the suspense."--Vanity Fair

"Immediate guarantee: You will not be able to put this book down. . . . Fans of Gone Girl and The Girl on the Train will realize that there's not only more where that came from, but it's also more thrilling."--American Booksellers Association

"This is going to be the buzziest book of 2017. We may only be a few weeks into 2017, but we're calling it early: This year, The Girl Before will be that book. The upcoming novel by author J. P. Delaney has all of the makings of a sexy murder mystery that is sure to hit the bestseller chart, and it already has the movie deal to prove it."--InStyle

"Delaney has created a genuinely eerie, fascinating setting in One Folgate Street. . . . The novel's structure, volleying back and forth as first Emma and then Jane begin to question their improbable luck, is beautifully handled. The pages fly."--USA Today

"The house has a dark past and a landlord that's anything but welcoming."--New York Post, one of the must-read books of the week

"The Girl Before is deservedly anointed the 'top girl' of this season's suspense novels."--The Washington Post

"The Girl Before is a cat-and-mouse game that toys with our expectations and twists our sympathies. At times almost unbearably suspenseful, it keeps us guessing from the first page to the very last. Don't miss it."--Joseph Finder

The instant New York Times Bestseller (January 2018)!

"A fiendishly smart cat-and-mouse thriller" —New York Times Book Review

"Buckle up, because you won't be able to put this one down." —Glamour

"Jaw dropping. Unforgettable. Shocking." —Publishers Weekly (starred review)

"The best domestic suspense novel since Gone Girl." —In Touch Weekly

When you read this book, you will make many assumptions.
You will assume you are reading about a jealous ex-wife.
You will assume she is obsessed with her replacement – a beautiful, younger woman who is about to marry the man they both love.
You will assume you know the anatomy of this tangled love triangle.
Assume nothing.

Twisted and deliciously chilling, Greer Hendricks and Sarah Pekkanen's The Wife Between Us exposes the secret complexities of an enviable marriage - and the dangerous truths we ignore in the name of love.

Read between the lies.

A 2018 Indie Next Pick | One of Glamour Magazine's Best Books of 2018 | One of Hello Giggles' 19 Books We Can't Wait to Read in 2018

Praise for The Wife Between Us:

"Fiendishly clever...in the vein of Gone Girl and The Girl on the Train. This one will keep you guessing." —Anita Shreve, New York Times bestselling author of The Stars are Fire

“A clever thriller with masterful twists.” – Karin Slaughter, New York Times bestselling author of The Kept Woman

"The Wife Between Us delivers a whip smart, twisty plot in a taut, pacy narrative. It's terrific and troubling. This is one scary love triangle where you won't know who to trust. I loved it." –Gilly Macmillan, New York Times bestselling author of What She Knew

"A twisty, mind-bending novel about marriage and betrayal. A gripping plot and fascinating characters; this book will keep you turning the pages and guessing until the very end. A must-read!" –Lauren Weisberger, New York Times bestselling author of The Devil Wears Prada

“This amazing story gallops along at breakneck speed, with an ending that smacks you between the eyes and takes your breath away. These authors are destined to become trail blazers in the field of psychological suspense books that explode in your hands!” —Nancy Simpson-Brice, Book Vault

“Like a house of mirrors, The Wife Between Us kept me guessing around every corner, delving into the complexities of marriage, friendship, and obsession.” —Javier Ramirez, The Book Table

The New York Times Best Seller
#1 April LibraryReads Pick
April Indie Next Pick
Goodreads Big Book of Spring

Steel Magnolias meets Dracula in this '90s-set horror novel about a women's book club that must do battle with a mysterious newcomer to their small Southern town, perfect for murderinos and fans of Stephen King.

Patricia Campbell's life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she's always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they're as likely to talk about the Manson family as they are about their own families.

One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor's handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn't felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind--and Patricia has already invited him in.

Little by little, James will insinuate himself into Patricia's life and try to take everything she took for granted--including the book club--but she won't surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

Following the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with an unforgettable portrait of an artist as a young woman.

Blindsided by her mother's sudden death, and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she's been writing for six years. At thirty-one, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life. When she falls for two very different men at the same time, her world fractures even more. Casey's fight to fulfill her creative ambitions and balance the conflicting demands of art and life is challenged in ways that push her to the brink.

Writers & Lovers follows Casey--a smart and achingly vulnerable protagonist--in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King's trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.

“Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart-piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.”
—Jessica Shattuck, author of The Women in the Castle

A mesmerizing novel about the burden of secrets carried across generations.
 
Lil and Frank married young, launched into courtship when they bonded over how they both—suddenly, tragically— lost a parent when they were children. Over time, their marriage grew and strengthened, with each still wishing for so much more understanding of the parents they’d lost prematurely. 

Now, after many years in Boston, they’ve retired to North Carolina. There, Lil, determined to leave a history for their children, sifts through letters and notes and diary entries—perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with what might have been left behind at the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is just trying to raise her son with some sense of normalcy. Frank’s repeated visits to Shelley’s house begin to trigger memories of her own family, memories that she’d hoped to keep buried. Because, after all, not all parents are ones you wish to remember.

Hieroglyphics reveals the difficulty of ever really knowing the intentions and dreams and secrets of the people who raised you. In her deeply layered and masterful novel, Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and what it means to be a child piecing together the world around us, a child learning to make sense of the hieroglyphics of history and memory.
 

The American South in the twenty-first century. A plantation owned for generations by a rich family. So much history. And a dead body.

A New York Times Bestseller

The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that combines modern psychological insights with elements of classic noir, about a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman. 

In 1966, Baltimore is a city of secrets that everyone seems to know—everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.

Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl—assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: Cleo Sherwood, a missing woman whose body was discovered in the fountain of a city park lake.

If Cleo were white, every reporter in Baltimore would be clamoring to tell her story. Instead, her mysterious death receives only cursory mention in the daily newspapers, and no one cares when Maddie starts poking around in a young Black woman's life—except for Cleo's ghost, who is determined to keep her secrets and her dignity. Cleo scolds the ambitious Maddie: You're interested in my death, not my life. They're not the same thing.

Maddie’s investigation brings her into contact with people that used to be on the periphery of her life—a jewelry store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people—including Ferdie, the man who shares her bed, a police officer who is risking far more than Maddie can understand.

From the author of the nationwide best seller Dept. of Speculation--one of the New York Times Book Review's Ten Best Books of the Year--a shimmering tour de force about a family, and a nation, in crisis

Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. She's become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right-wingers worried about the decline of western civilization. As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you've seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience--but still she tries to save everyone, using everything she's learned about empathy and despair, conscience and collusion, from her years of wandering the library stacks . . . And all the while the voices of the city keep floating in--funny, disturbing, and increasingly mad.